Showing posts with label Basement Treasures. Show all posts
Showing posts with label Basement Treasures. Show all posts

01 January, 2009

Deconstructing Our Workbench and a Bit o' Cream of Wheat

One of the things we inherited with The Box House was a monstrously huge, very heavy workbench.
It was in the room we call Uncle Jimmy's tool room, now my office, which is located at the far, far end of the basement. We hauled this puppy the full length of the basement, up the stairs, and into the garage. I'm stronger than I look, but even so, it was not an easy task.

We decided we already had enough workbenches, in the garage and in the house, and didn't really need or want this one. It looked like it was cobbled together from miscellaneous scraps of this and that. It's not the kind of thing that we thought would go on Craig's List, either. So we decided to take it apart and salvage what wood we could. But something made me wipe down one of the boards, thick with coal dust and decades worth of grit, and look! It's from an old Cream-of-Wheat shipping crate!

Now, I love a good bowl of cream o' wheat. It's one of the two foods my mother could get me to eat when I was sick (the other being creamed eggs on toast, which she'll still make for me when I have the flu). When I was in college, and poorer than I am now, a box of quick-cooking Cream of Wheat could last me for weeks. I'd have it every day for breakfast, with a pinch of salt and a dollop of butter. So you can imagine how excited I was to find this. The script on this board is rather old-fashioned, and I tried a Google search to see if I can date it based on the logo, but no luck. I assume it belonged to the previous previous owner.

There were other boards for Quaker Oats.

The boards all cleaned up fairly well, and I'll be putting hooks on them to hang up in the garage and/or my office. The rest of the wood made it to a scrap pile in the corner. Not sure what we'll do with it, yet, but we'll figure out something.

13 December, 2008

What Do a Gaggle of Goddesses, an Antique Admiral TV, and a Doorknob Have in Common?

After a year, I had given up hope of ever finding what I did with the knobs to my 1940s Admiral television. For well over a year we've been looking at the partially assembled television, despairing that we'd ever locate the one-of-a-kind knobs. I was convinced they were lost forever. But tonight, while clearing out boxes in the basement in preparation of removing the last bit of skanky ceiling board, I found them, hurray! They were packed away with an assortment of odds and ends from our condo kitchen. Why I thought that would be a good box to have packed them in, I don't know.

Isn't it a beauty? It's dated 1948, if I recall correctly, and stands about waist high. I won the TV on eBay and drove all the way over to the Quad Cities to pick it up, which is about three hours one way from Chicago. The cabinet is made of a single piece of bakelite, so there was no way I was going to trust that to a shipping company. I read somewhere that it was the largest piece of bakelite ever cast, at least up to that time. Mom and I gave the TV to my dad for his birthday. After he passed away, I ended up with it. It now sits in our dining room, next to the sideboard. It was working pretty well until a couple of years ago, when the picture disappeared. One of these days, I need to take it in for a proper restoration.

Other goodies in the box include a doorknob from my bedroom of one of my first apartments in Chicago. Yes, I admit it--I stole it. I was a foolish stunt by a 24-year-old. The apartment was this kinda run-down three flat circa 1910 located in the Southport corridor before it became cool to live there, and the landlord was a bit of a jerk. Okay, a major jerk. I know I should feel guilty for going to Ace Hardware and buying a plain doorknob to swap it out with, but I don't really. (They later gutted the house completely.) I'll probably use it on my office door at The Box House, if I can get it to fit.

But this is what really makes me smile! My collection of goddess magnets (and a coupla gods) that I got on clearance from Sacred Source, a great little online store with all sorts of figurines from world mythology and religion.

And that picture of Ted? It's the first one I ever saw of him. Would you believe we met on Match.com seven years ago this month? Well, we started corresponding then, and met a month later. Remind me to tell that story sometime...

03 April, 2008

Basement Discoveries, The Good and The Bad

We celebrated our one-month anniversary at The Box House this week with a fun activity we like to call Garbage Night. Each week, we bring up another load of left-behind junk from the basement and try to figure out what to do with it. Here's the garage, a.k.a. The Staging Area:

Most of what's there is junk, pure and simple. We'll recycle the cardboard boxes, and our friend Andy is coming by sometime to get the old radiator cover. And those two wooden chairs, which I thought I'd eventually rehome, I've decided to keep instead. They are solid oak and if I refinish them and put on new seats, they'd be cute little chairs for...somewhere in the house. But the rest of the stuff? I don't know. The old wooden Krakus ham crates are a little too far gone for me to want to save, and nobody came a'running when I offered them for free. I won't feel too guilty chucking them, because at least wood is biodegradable. But there's lots of other crappy furniture and fixtures that we don't want and apparently no one else does, either. So that all gets shoved to a corner for one giant Salvation Army pickup sometime this summer.

I know I've complained about it before, but it is very frustrating to have to find time to deal with this when all I want to do is start working on the house. I'd rather spend time assessing the overall structure and creating a priority list of projects than deal with this stuff.

Still, there have been a few pleasant surprises in the basement, such as fragments of one of the original stained glass windows. I think most of, if not all of it, is there. We're not exactly sure where this would have been originally. It matches the piano windows in the first floor unit, but does not fit any of the dimensions of the current windows. My best guess is that it might have been for the stairwell window, falling halfway between the first and second floor. In any case, I want to try to find a stained glass art class to either restore this to hang in a window, or create a light box for somewhere in the interior.



One of two piano windows in the first floor living room.

Here's a not-so-pleasant discovery. We took down the grotty ceiling tiles in the storeroom under the front stairs and found evidence of past termite damage. The mud tunnels are what they travel through; if you brush them away, you can see there is damage to the wood. We had found some damaged boards in the dining room, which were already replaced, and recently found one in the stairwell landing--just on the other side of these boards in the photo--that is also damaged. (The part about this that irritates me is the sanding guys must have spotted that one, too, and chose to stain it anyway rather than tell us it was partly hollow at one end.) The mud tunnels are random, and only extend for a couple of feet. It does not look like anything current is going on and we haven't found any insects anywhere in the basement, except for the occasional spider. Still, I'll need to research this more. Unless they came in with the wood, which is quite likely, they somehow managed to get into the house before. I don't want that happening again.

Here's a great discovery--the original kitchen doors for the units upstairs. They are swinging doors that must have been removed when the kitchen was tiled. We'll be reinstalling these when we do the kitchen remodels, whenever that will be. (Boy, I need a haircut. Um. And maybe some makeup.)

A bad discovery. The brick underneath the windows along the north wall had a lot of efflorescence. The P.O.'s had painted the walls, and the efflorescence was pushing against the paint, making it easy to flake off in this section. Unfortunately, there's quite a bit of mortar loss, too. One of our top projects for the summer is to determine how to stop moisture from building in this wall, which receives little sun, as it is in between houses. Our inspector suggested regrading, which we'll have to discuss with the neighbors, probably.

All in all, it's been a mixed bag of discoveries the last week or so. But I think we're nearing the end (ha!) of the pile of stuff we have yet to remove from the basement.

08 March, 2008

Weekend Warriors

Well, it's our first real weekend at The Box House. Last weekend doesn't really count because we spent it moving in. To celebrate, we went to Lowe's to spend a 10% off coupon we had. We bought cabinets for Mom's sewing room, a radon detection kit, a CO/propane/natural gas detector for the basement (where Ted and I are setting up our offices), cable for stringing Internet across the building, a small rake for scraping up the cat poo we found under the stairs to the basement (more on that in the future), and a few other miscellaneous items. Then we each tackled a task or two:

Mom worked on building her cabinets and filling them with quilt fabric. It wasn't until we began bringing over her fabric collection from the other house and putting it in one pile that she realized just how much quilt fabric she had. She had been storing it in every nook and cranny, and now she'll try to cram the bulk of it into one room. She can quilt every day for the next hundred years and not make it through all that fabric.

Ted fixed a clog in the kitchen sink, which was pretty far down beyond the trap. The water had been draining slowly from day one, and yesterday began backing up into the sink. He's also working on hardwiring Mom's computer to the Internet; she had been using a wireless connection, but the signal is not as strong as we'd like. And he spent some spare moments playing house detective and examining how our 2-flat was put together. By removing a ceiling panel in the basement, he was able to reveal our sub floors, which look like tongue and groove construction. This photo shows the underside of Mom's dining room:

I had decided to give up on the Soy Gel made by Franmar, which hasn't really managed to strip paint off of anything but metal. I found a quart of Peel Away at Lowe's, and with high hopes for its effectiveness, coated the back of the door to my mom's medicine cabinet. I'll check on it in a few days, although some house bloggers have indicated they've left it on for up to a week. It is very, very low odor and easy to work with. I just used a paint brush to apply it. This variety of the product, Peel Away 6, did not come with the peel away paper and Lowe's didn't stock it. The instructions on the can didn't mention using the paper, but the online instructions did. So I improvised with press and seal saran wrap. That should keep it from drying out too fast.

As for Maggie? She spent some time debating how best to clean this mirror, another treasure left behind by the previous owners.

06 March, 2008

Red Ryder Air Rifle BB Gun -- Coolest Basement Find Ever

Quick, do you know who this is?

Image courtesy Exposay.com

I completely didn't recognize him in the 2006 Jennifer Aniston / Vince Vaughn movie The Break-Up, which he also produced. And I'm usually really, really good at this game. Ted and I will be watching some TV show or other, and I'll say "Hey, do you see that guy there? He played so-and-so in that really obscure movie we saw five years ago." And 99% of the time, I'm right. If only I could market such a skill!

Publicity still from The Break-Up, Universal Studios.

But I didn't find him even vaguely familiar, although the gorgeous baby blue eyes should have tipped me off, and maybe that's a good thing. Normally, this actor is best remembered for two roles he played as a child, and he may be tired of being reminded about them. But I'm going to do it anyway. Sorry, Peter.

As Messy Marvin in the Hershey's Syrup commercials. (Such a cutie!)


As Ralphie Parker in A Christmas Story.

So, why the brief detour into movie making history, and why is Peter Billingsley on my house blog? Well, because of this:

We recently found among the junk left by the previous owners a Red Ryder Carbine-Action Two-Hundred-Shot Range Model Air Rifle BB gun with a compass in the stock and a thing which tells time. Actually, I don't think it's the same model Peter Billingsley used—this one doesn't have a compass or a clock—but how freakin' cool is this? Wanna see a closeup?

Like millions of other Americans, I tune in to at least one showing during the annual 24-hour broadcast marathon of A Christmas Story. Along with It's a Wonderful Life, Holiday Inn, Miracle on 34th Street, and every holiday special by Rankin and Bass, even the really, really, rare only-ever-released on VHS Life and Adventures of Santa Claus, watching it is a tradition. So when we found this Red Ryder rifle in the basement, my mom and I squealed in near unison, "You'll shoot your eye out!" I can't separate thoughts of Red Ryder rifles from the movie; the two are forever linked.

So now the Red Ryder Air Rifle is hanging proudly on the wall of what will one day be my office, and will no doubt become part of our holiday decorations at Christmas along with the sexy leg lamp I plan to get eventually.

07 February, 2008

Original 1930s Color Palette, 3 of 3: Nu-Enamel Modern Finish (Made by Elves)


"Color from the World's Most Beautiful Flowers."

This is the third in a series on the 1930s color palettes I found in the basement of The Box House, and this brochure for Nu-Enamel Modern Finish is probably my favorite. The brochure is from The Nu-Enamel Shop at 1711 Sherman Ave.  (the location is now a CVS Pharmacy--seems they are everywhere these days).


I wish our bathrooms were as spacious as the ones in this advert. I'd even settle for pink! How cool would a vintage pink bathroom be?

The text from the brochure reads:
Remove this Piece of Metal. It is coated with Nu-Enamel. Bend it, twist it, fold it, hammer it. You will find it will not check, crack, or peel. This test proves that Nu-Enamel endures the most severe abuse.

Paint it Yourself!
You will always get expert results with Nu-Enamel because of these features:

One Coat Covers
The paddle illustrated is painted with stripes of different colors ranging from black to white. One coat of any Nu-Enamel color will completely hide most painted surfaces.

No Brush Marks
Paint a small area of any surface with Nu-Enamel. Then write your name on it with the handle of the brush. Within a few seconds, the entire paint film levels off perfectly smooth.

Resists Acids
The attached piece of metal is painted with one coat of Nu-Enamel. If placed in a muriatic acid solution the metal will dissolve, leaving the film of Nu-Enamel unharmed.

Cleans Easily
Nu-Enamel is non-porous. As a result--a damp cloth will remove, easily and quickly, all traces of grease and dirt. Repeated washing will not injure the porcelain-like finish.

Your Nu-Enamel dealer will be happy to demonstrate these features to you--in fact, he will place a brush in your hand and invite you to "Try before you buy." The amazing sales record established by Nu-Enamel is due to satisfied customers recommending it to their friends.

Surround yourself with Cheerful Colors. Every day, thousands of people--most of them without any previous painting experience whatsoever, are beautifying their home surroundings with Nu-Enamel. You can, too.


From toilet seats to wood radios, it seems the paint was made to cover it all. Lucky for us, the Previous Owners did not paint over our wood trim in the dining room, living room, stairwell, or entryway--although everything else has been covered. Click image for a slightly larger although somewhat fuzzy view.
I'm not sure how often I'd be walking around with muriatic solution in hand, but it's good to know that any Nu-Enamel painted surfaces will be safe from potential harm.

30 January, 2008

Original 1930s Paint Palette, 2 of 3: Rust-Oleum

Here's part two of the series on vintage paint chip samples we found in the basement. This one is for Rust-Oleum, which had a factory at 2425 Oakton St. in Evanston.

The paint chip samples included hues for exterior surfaces, roof and barn paint, porch and deck paint, flat oil paint, floor enamel, and shingle stain.

Here's the text Scroll ahead if this kind of stuff bores you.
Durable...economical.

Our paints, colors of which are shown on the following pages, are designed to meet the exactly requirements of extreme wear and weather conditions, and also to produce a finish that is both durable and beautiful.

Our aim is to submit a line of popular and serviceable colors, capable of pleasing combinations.

If you will carefully follow the general directions for the application of these high grade paints as shown on each can, you will be well repaid in long years of service.

To get real satisfaction use your paints made on a pure linseed oil base. You will be better satisfied and the saving you will make in longer service will repay you many times over.

Directions for Use

Remove full head of package and stir paint thoroughly; this is accomplished by pouring off the liquid portion of the paint, then stirring with a lifting motion from bottom and side of can, gradually pouring back the thinners while stirring. This will insure a uniform consistency of the paint.

For new work

For priming coat, thin the paint with raw linseed oil, using one quart of oil to one gallon of paint. For the second coat, in case thinning is necessary, use one pint of turpentine to one gallon of paint. For third or finishing coat, always apply paint just as if comes from the can.

For old work

Remove all loose paint from surface with steel brush or scraper. When surface is porous and has not been painted for a long time, apply three coats of paint, the same as for new work. When the surface is in good condition, thin the first coat with one pint of turpentine and one pint of pure linseed oil to one gallon of paint. For finishing coat, apply just as it comes from the can.

The above directions will cover the average conditions in painting to insure an absolutely perfect job.

Painting Suggestions

Be sure to brush out paint well, as three thin coats of paint wear better than two thick coats.

To insure best results, new work should always have three coats, two besides the priming coat.

Don't paint damp, unseasoned, sappy or pitchy wood.

Allow three or more days between coats for drying.

Putty all seams, cracks, nail holes, etc., preferably after the priming coat has been put on, as the putty will adhere more closely than to the bare wood.

Always begin at the top in painting, working across the entire width of the building taking care to remove all dust in advance and covering knotty or pitchy portions with shellac.
There's more on how to determine the quantity of paint needed, but I'm feeling too lazy to type that in, and it's the difference in painting techniques from then to now that really has my interest, anyway.

Some of the colors in this palette are actually quite nice, and I'm toying with the idea of using them. As soon as Ted and my mom agree to let me build a shed in the backyard for the chickens (which I'm sure I'm not allowed to raise within city limits), I'm going to paint it this barn red.

The Box House is a democracy, and everything gets voted on. I doubt they'll let me have chickens.

Except for the basement and the back porch, everything at The Box House is currently painted white, but here and there where the paint has chipped and where I've managed to poke behind radiators, I've found evidence of a few of these colors. There was once "cream" colored trim and "pea green" shelves in one of the bedrooms. Another bedroom was wallpapered, with what looks like light pink trim at the base.

In the basement, the exterior brick walls are still painted ivory, moss green, and battleship grey and the sheet rock is ivory and white. Eventually, I hope I'll be able to find a good way to remove the paint and restore the brick.

So, has anyone discovered any of these colors in their own homes?


Original 1930s Paint Palette, 1 of 3: Porch and Deck Paint


Light Drab or Dark Lead? It's so hard to choose...

While puttering in the basement yesterday, I decided to take out a junky old cabinet in the work/tool room. None of us liked it, and had no intention of reutilizing it anywhere in the Box House. For now, it's in the garage, awaiting some decision as to its ultimate fate.

As we were wrenching it from the sheet rock, Ted noticed that on top of the cabinet was a collection of paint chip sample brochures from the 1930s. One of them was dated 1935, and I assume, from the style of the illustrations, the other two are from the same period. Sweet!

Those of you who are trying to restore your 1920s or 1930s home may find these palettes of interest. I plan to upload images from all three this week, and type in the accompanying text.

The first is for Florex Wood Cement: An Enamel Paint for Concrete and Wood Floors. It was distributed by the Wood-Davis Company at 1565 Sherman Ave , which today houses Vive le Crepe, a French-style bistro and creperie. There were other Wood-Davis locations at 4664 Lincoln in Chicago, 6316 Northwest Hwy., and 1318 N. Clark St. in Chicago.


Here's the text from the Florex brochure:

Quick Drying
One Coat Covers
Washable

For use on all surfaces--wood, concrete, metal, and composition inside and out. Let us tell you how small the expense will be to paint your basement or attic floor, porch, laundry--or any inside or outside surface.

Porch and Deck Enamel Paint

Floors, both inside and out, steps, and boat decks are necessarily subjected to an unusual amount of wear. Unless coated with a finish designed to withstand the constant abrasion from walking and moving of furniture, as well as exposure to the elements, floors and decks soon take on a very unsightly appearance.

Porch and Deck Enamel is scientifically prepared to withstand especially hard usage on wood, metal, or concrete surfaces. It forms a beautiful gloss that does not become dull from repeated washing and scrubbing.

Porch and Deck Enamel is a product of high gloss and extreme durability. Specially adapted for garage floors, porch floors, hospitals, offices, factories, etc. It comes ready for use, drying hard over night.

General Directions

The surface must be thoroughly dry and free from loose paint, grease, and dirt. Brush the paint out thoroughly in thin even coats. Make certain that each coat is perfectly hard and dry before applying the next coat.

*New Floors: To obtain best results, use three coats of paint. First coat should be thinned according to instructions on the label. Apply the second and third coats without thinning.

*For Previously Painted Wood Floors: Bare spots should be touched up with paint thinned as for "New Floors." Sandpaper the surface well when dry, then apply one or two coats without thinning. If there are cracks between the boards, fill these with Paste Wood Filler after the first coat of enamel has been applied.

*For New Concrete Floors: Important--Do not paint concrete floors when they are cold, or when the room is cold and wet. This condition will retard the drying of the enamel.

Cement floors that have been laid directly on the ground without the proper drainage rarely present an ideal surface for painting, because moisture will cause it to remain in a tacky condition. The surface should also be free from alkali, as an alkaline surface will prevent the enamel from drying.

Test for Alkalinity

Wet various spots of the floor with water and place a piece of litmus paper on each spot. Allow to stand for a few minutes and if litmus turns blue, it is an indication that there is alkali present. In such cases, the alkali should be neutralized by applying a wash coat of three pounds of Zinc Sulphate to the gallon of water. Let dry thoroughly (at least three days) after which brush the surface carefully to remove any remaining crystals.

*For previously painted concrete floors: Touch up any bare spots as directed for new concrete. When thoroughly dry, apply one or two coats without thinning.


Paint techniques don't seem to have changed that much--except for maybe the alkaline test!

Color 227 Battleship Gray is the exact color used in our back stairwell/porches. (The flash makes it look lighter in the picture.) The porches are enclosed, but not heated, and the interior wall surfaces and decks are this very shade. Do you think it's possible the paint job dates back to the 1930s? Or have previous owners just used the same color over and over? It doesn't really look like there are too many coats of paint.


On one of our errands this week, we stopped at a Sherwin-Williams paint store to pick up a few of their interior preservation palette samples, which I first discovered after reading Chicago Two-Flat's description of using Bunglehouse Blue for their door. They are an excellent source for reproducing period interiors. Here are links to find the palettes on the Sherwin-Williams site:

Classical/Colonial
The warmth and charm of the 1800s that's just as beautiful today.

Arts & Crafts
Return to the basic lines and balance inspired by the Arts & Crafts style of the 1900s.

Victorian
The intricate delicacy of the Victorian decorative style.

The Jazz Age
A palette of contrasts captures the vintage look of the 1920s.

Streamlined Years
Warm, personal hues evoke the simple sophistication of the 1930s.

Suburban Modern
An optimistic outlook reflected in the cheerful colors of the 1950s.